{"id":4360,"date":"2023-11-15T00:27:07","date_gmt":"2023-11-14T21:27:07","guid":{"rendered":"https:\/\/baskan-yapi.com\/?p=4360"},"modified":"2024-07-21T02:24:45","modified_gmt":"2024-07-20T23:24:45","slug":"architecture-companies-in-denmark","status":"publish","type":"post","link":"https:\/\/baskan-yapi.com\/en\/2023\/11\/15\/architecture-companies-in-denmark\/","title":{"rendered":"Architecture Companies in Denmark"},"content":{"rendered":"<p>Danish architecture has been influenced by Romanesque and Gothic architecture during the Middle Ages.<\/p>\n<p>In the medieval period, Denmark began to use brick in buildings such as castles and churches.<\/p>\n<p>In the 16th century, large palaces and castles were constructed in Renaissance style by Dutch and Flemish architects in Denmark. Houses in Denmark were designed in wood during the 16th century.<\/p>\n<p>During the 17th and 18th centuries, Baroque architecture had an influence in both urban centers and rural areas of Denmark.<\/p>\n<p>The neoclassical architectural movement, which spread from France and Italy in the mid-18th century, was also used in Denmark.<\/p>\n<p>In the 18th and 19th centuries, historical revivalism and national romanticism influenced Danish architecture.<\/p>\n<p>In the 1960s, functionalism became prevalent in Danish architecture.<\/p>\n<p>The port city of Svendborg in Denmark became an important commercial area in the 19th century, after which brick and stone houses were lined along narrow streets.<\/p>\n<p>In Skagen, Denmark, white-painted houses with red tiled roofs were built. Yellow and red tones dominated urban development structures in Danish architecture.<\/p>\n<p>Since 2000, Danish architecture has shown development both domestically and internationally.<\/p>\n<p>Denmark, which values \u200b\u200barchitecture, has established many architectural firms in recent years and has become more active internationally.<br \/>\nSome of the contemporary architectural structures in Denmark include the Oresund Bridge and the Black Diamond Library.<\/p>\n<table style=\"height: 11075px;\" width=\"747\">\n<tbody>\n<tr>\n<td width=\"33\"><\/td>\n<td width=\"68\"><strong>DENMARK\u00a0<\/strong><\/td>\n<td width=\"111\"><strong>CITY<\/strong><\/td>\n<td width=\"244\"><strong>ARCHITECTURE FIRMS<\/strong><\/td>\n<\/tr>\n<tr>\n<td>1<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>3 XN<\/td>\n<\/tr>\n<tr>\n<td>2<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Aaberg Architects<\/td>\n<\/tr>\n<tr>\n<td>3<\/td>\n<td>Danimarka<\/td>\n<td><\/td>\n<td>Aagaard Landskab<\/td>\n<\/tr>\n<tr>\n<td>4<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Adept<\/td>\n<\/tr>\n<tr>\n<td>5<\/td>\n<td>Danimarka<\/td>\n<td>Frederiksberg<\/td>\n<td>Aim-Byliv<\/td>\n<\/tr>\n<tr>\n<td>6<\/td>\n<td>Danimarka<\/td>\n<td>Ish\u00f8j<\/td>\n<td>AK83 Arkitekter A\/S<\/td>\n<\/tr>\n<tr>\n<td>7<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Albjerg &amp; Buchardt Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>8<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Alex Poulsen Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>9<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Alex Rosendal<\/td>\n<\/tr>\n<tr>\n<td>10<\/td>\n<td>Danimarka<\/td>\n<td>Virum<\/td>\n<td>AMAS ARKITEKTER<\/td>\n<\/tr>\n<tr>\n<td>11<\/td>\n<td>Danimarka<\/td>\n<td>Virum<\/td>\n<td>Anders Barslund<\/td>\n<\/tr>\n<tr>\n<td>12<\/td>\n<td>Danimarka<\/td>\n<td>Kongens Lyngby<\/td>\n<td>Anders Brix<\/td>\n<\/tr>\n<tr>\n<td>13<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Anders J\u00f8rgensen Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>14<\/td>\n<td>Danimarka<\/td>\n<td>Frederiksberg<\/td>\n<td>Andersen &amp; Sigurdsson Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>15<\/td>\n<td>Danimarka<\/td>\n<td>Kongens Lyngby<\/td>\n<td>Anette Meldgaard arkitekt<\/td>\n<\/tr>\n<tr>\n<td>16<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Animulas<\/td>\n<\/tr>\n<tr>\n<td>17<\/td>\n<td>Danimarka<\/td>\n<td>Stenl\u00f8se<\/td>\n<td>ANNOARK ApS<\/td>\n<\/tr>\n<tr>\n<td>18<\/td>\n<td>Danimarka<\/td>\n<td>Humleb\u00e6k<\/td>\n<td>Arch Wiberg<\/td>\n<\/tr>\n<tr>\n<td>19<\/td>\n<td>Danimarka<\/td>\n<td>Helleb\u00e6k<\/td>\n<td>Architect Mads Max Ibenfeldt<\/td>\n<\/tr>\n<tr>\n<td>20<\/td>\n<td>Danimarka<\/td>\n<td>Hiller\u00f8d<\/td>\n<td>ARCnordic A\/S<\/td>\n<\/tr>\n<tr>\n<td>21<\/td>\n<td>Danimarka<\/td>\n<td>Gentofte<\/td>\n<td>Arends Arkitekter IVS<\/td>\n<\/tr>\n<tr>\n<td>22<\/td>\n<td>Danimarka<\/td>\n<td>Frederiksberg<\/td>\n<td>Ark-Unica<\/td>\n<\/tr>\n<tr>\n<td>23<\/td>\n<td>Danimarka<\/td>\n<td>Gentofte<\/td>\n<td>ARKITEKTFIRMA BYDER ApS<\/td>\n<\/tr>\n<tr>\n<td>24<\/td>\n<td>Danimarka<\/td>\n<td>Kongens Lyngby<\/td>\n<td>ARKITEKTKONKURRENCER.DK<\/td>\n<\/tr>\n<tr>\n<td>25<\/td>\n<td>Danimarka<\/td>\n<td>Hvidovre<\/td>\n<td>ARKITEKTRAADGIVNING.DK<\/td>\n<\/tr>\n<tr>\n<td>26<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>ARKITEKTURLAB ApS<\/td>\n<\/tr>\n<tr>\n<td>27<\/td>\n<td>Danimarka<\/td>\n<td>Virum<\/td>\n<td>Arkitekt Bjarne Korsgaard<\/td>\n<\/tr>\n<tr>\n<td>28<\/td>\n<td>Danimarka<\/td>\n<td>Frederiksberg<\/td>\n<td>Arkitekt Daniel Nielsen<\/td>\n<\/tr>\n<tr>\n<td>29<\/td>\n<td>Danimarka<\/td>\n<td>Hiller\u00f8d<\/td>\n<td>Arkitekt Jesper Brask<\/td>\n<\/tr>\n<tr>\n<td>30<\/td>\n<td>Danimarka<\/td>\n<td>Drag\u00f8r<\/td>\n<td>Arkitekt Lars Remfeldt<\/td>\n<\/tr>\n<tr>\n<td>31<\/td>\n<td>Danimarka<\/td>\n<td>Hornb\u00e6k<\/td>\n<td>Arkitekt Lise Juel ApS<\/td>\n<\/tr>\n<tr>\n<td>32<\/td>\n<td>Danimarka<\/td>\n<td>Gentofte<\/td>\n<td>Arkitekt MAA Birthe Just<\/td>\n<\/tr>\n<tr>\n<td>33<\/td>\n<td>Danimarka<\/td>\n<td>R\u00f8dovre<\/td>\n<td>Arkitekt MAA Christoffer Storm<\/td>\n<\/tr>\n<tr>\n<td>34<\/td>\n<td>Danimarka<\/td>\n<td>Helleb\u00e6k<\/td>\n<td>Arkitekt MAA Finn Strabo<\/td>\n<\/tr>\n<tr>\n<td>35<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Arkitekt MAA Jens Lind<\/td>\n<\/tr>\n<tr>\n<td>36<\/td>\n<td>Danimarka<\/td>\n<td>Virum<\/td>\n<td>Arkitekt MAA Mathilde Petri<\/td>\n<\/tr>\n<tr>\n<td>37<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Arkitekt MAA Morten Kjelstrup<\/td>\n<\/tr>\n<tr>\n<td>38<\/td>\n<td>Danimarka<\/td>\n<td>Veks\u00f8 Sj\u00e6lland<\/td>\n<td>Arkitekt MAA Tom Sj\u00f8rup<\/td>\n<\/tr>\n<tr>\n<td>39<\/td>\n<td>Danimarka<\/td>\n<td>Vanl\u00f8se<\/td>\n<td>Arkitekt MAA Torben Baltsen<\/td>\n<\/tr>\n<tr>\n<td>40<\/td>\n<td>Danimarka<\/td>\n<td>Virum<\/td>\n<td>Arkitekt MAA Tummas Niclasen<\/td>\n<\/tr>\n<tr>\n<td>41<\/td>\n<td>Danimarka<\/td>\n<td>Br\u00f8nsh\u00f8j<\/td>\n<td>Arkitekt Michael Kornbeck<\/td>\n<\/tr>\n<tr>\n<td>42<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Arkitekt Stefan Vesti Brorsen<\/td>\n<\/tr>\n<tr>\n<td>43<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Arkitekter Ingeni\u00f8rer<\/td>\n<\/tr>\n<tr>\n<td>44<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Arkitekterne Holst v\/Michael Holst<\/td>\n<\/tr>\n<tr>\n<td>45<\/td>\n<td>Danimarka<\/td>\n<td>Fredensborg<\/td>\n<td>Arkitektfirmaet A-SM<\/td>\n<\/tr>\n<tr>\n<td>46<\/td>\n<td>Danimarka<\/td>\n<td>Gilleleje<\/td>\n<td>Arkitektfirmaet Ejvind Gadmar<\/td>\n<\/tr>\n<tr>\n<td>47<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Arkitektfirmaet Friborg og Lassen A\/S<\/td>\n<\/tr>\n<tr>\n<td>48<\/td>\n<td>Danimarka<\/td>\n<td>H\u00f8rsholm<\/td>\n<td>Arkitektfirmaet Gert Mikkelsen<\/td>\n<\/tr>\n<tr>\n<td>49<\/td>\n<td>Danimarka<\/td>\n<td>Virum<\/td>\n<td>Arkitektfirmaet Lars Bentzen<\/td>\n<\/tr>\n<tr>\n<td>50<\/td>\n<td>Danimarka<\/td>\n<td>J\u00e6gerspris<\/td>\n<td>Arkitektfirmaet Nexus<\/td>\n<\/tr>\n<tr>\n<td>51<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Arkitektfirmaet Ole Andersen ApS<\/td>\n<\/tr>\n<tr>\n<td>52<\/td>\n<td>Danimarka<\/td>\n<td>Vanl\u00f8se<\/td>\n<td>Arkitektfirmaet Ole Kj\u00f8lhede ApS<\/td>\n<\/tr>\n<tr>\n<td>53<\/td>\n<td>Danimarka<\/td>\n<td>Fredensborg<\/td>\n<td>Arkitektfirmaet Povl Petersen<\/td>\n<\/tr>\n<tr>\n<td>54<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Arkitektfirmaet Stig M\u00fcller<\/td>\n<\/tr>\n<tr>\n<td>55<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Arkitektfirmaet Svend Larsen<\/td>\n<\/tr>\n<tr>\n<td>56<\/td>\n<td>Danimarka<\/td>\n<td>Gentofte<\/td>\n<td>Arkitektfirmaet Toyberg-Frandzen A\/S<\/td>\n<\/tr>\n<tr>\n<td>57<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Arkitekturet aps<\/td>\n<\/tr>\n<tr>\n<td>58<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Arkitema<\/td>\n<\/tr>\n<tr>\n<td>59<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Arkland ApS<\/td>\n<\/tr>\n<tr>\n<td>60<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Atelier Lorentzen Langkilde ApS<\/td>\n<\/tr>\n<tr>\n<td>61<\/td>\n<td>Danimarka<\/td>\n<td>Hellerup<\/td>\n<td>ATRIUM ARKITEKTER ApS<\/td>\n<\/tr>\n<tr>\n<td>62<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>B+C Arkitekter ApS<\/td>\n<\/tr>\n<tr>\n<td>63<\/td>\n<td>Danimarka<\/td>\n<td>Frederiksberg<\/td>\n<td>Baun Arkitektur ApS<\/td>\n<\/tr>\n<tr>\n<td>64<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>BBP Arkitekter A\/S<\/td>\n<\/tr>\n<tr>\n<td>65<\/td>\n<td>Danimarka<\/td>\n<td>Vanl\u00f8se<\/td>\n<td>BE Arkitekter ApS<\/td>\n<\/tr>\n<tr>\n<td>66<\/td>\n<td>Danimarka<\/td>\n<td>Frederiksberg<\/td>\n<td>Becht ApS<\/td>\n<\/tr>\n<tr>\n<td>67<\/td>\n<td>Danimarka<\/td>\n<td>Helsing\u00f8r<\/td>\n<td>Berg Arkitekter ApS<\/td>\n<\/tr>\n<tr>\n<td>68<\/td>\n<td>Danimarka<\/td>\n<td>R\u00f8dovre<\/td>\n<td>Bernd Kjelland ark maa<\/td>\n<\/tr>\n<tr>\n<td>69<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>BERTELSEN OG SCHEVING ARKITEKTER ApS<\/td>\n<\/tr>\n<tr>\n<td>70<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>BESSARDs&#8217; STUDIO<\/td>\n<\/tr>\n<tr>\n<td>71<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Betak Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>72<\/td>\n<td>Danimarka<\/td>\n<td>Valby<\/td>\n<td>BIG &#8211; BJARKE INGELS GROUP<\/td>\n<\/tr>\n<tr>\n<td>73<\/td>\n<td>Danimarka<\/td>\n<td>Nordhavn<\/td>\n<td>BIOSIS ApS<\/td>\n<\/tr>\n<tr>\n<td>74<\/td>\n<td>Danimarka<\/td>\n<td>Hornb\u00e6k<\/td>\n<td>Binzer Landskab<\/td>\n<\/tr>\n<tr>\n<td>75<\/td>\n<td>Danimarka<\/td>\n<td>Frederiksberg<\/td>\n<td>Birch &amp; Rasmussen ApS<\/td>\n<\/tr>\n<tr>\n<td>76<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Bjarke Ingels Group (BIG)<\/td>\n<\/tr>\n<tr>\n<td>77<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Blegvad Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>78<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Blichfeldt Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>79<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>BM Arkitekter ApS<\/td>\n<\/tr>\n<tr>\n<td>80<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>BOGL ApS<\/td>\n<\/tr>\n<tr>\n<td>81<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Bolette Marott Bygherrer\u00e5dgivning ApS<\/td>\n<\/tr>\n<tr>\n<td>82<\/td>\n<td>Danimarka<\/td>\n<td>Kastrup<\/td>\n<td>Born Architect ApS<\/td>\n<\/tr>\n<tr>\n<td>83<\/td>\n<td>Danimarka<\/td>\n<td>Kongens Lyngby<\/td>\n<td>Bornebusch Tegnestue A\/S<\/td>\n<\/tr>\n<tr>\n<td>84<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Box 25 Arkitekter ApS<\/td>\n<\/tr>\n<tr>\n<td>85<\/td>\n<td>Danimarka<\/td>\n<td>Helsing\u00f8r<\/td>\n<td>Brask &amp; Leonhardt v\/Jan Leonhardt Jensen<\/td>\n<\/tr>\n<tr>\n<td>86<\/td>\n<td>Danimarka<\/td>\n<td>Rungsted Kyst<\/td>\n<td>Brixval ApS<\/td>\n<\/tr>\n<tr>\n<td>87<\/td>\n<td>Danimarka<\/td>\n<td>Charlottenlund<\/td>\n<td>Bundgaard Arkitekter ApS<\/td>\n<\/tr>\n<tr>\n<td>88<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Byens Tegnestue ApS<\/td>\n<\/tr>\n<tr>\n<td>89<\/td>\n<td>Danimarka<\/td>\n<td>Hellerup<\/td>\n<td>Byspektrum<\/td>\n<\/tr>\n<tr>\n<td>90<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>BYSTRUP Architeture Design &amp; Engineering<\/td>\n<\/tr>\n<tr>\n<td>91<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>C.F. M\u00f8ller Architects<\/td>\n<\/tr>\n<tr>\n<td>92<\/td>\n<td>Danimarka<\/td>\n<td>Hellerup<\/td>\n<td>Canoas ApS<\/td>\n<\/tr>\n<tr>\n<td>93<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Carlsens Planer IVS<\/td>\n<\/tr>\n<tr>\n<td>94<\/td>\n<td>Danimarka<\/td>\n<td>Aarhus<\/td>\n<td>Cebra<\/td>\n<\/tr>\n<tr>\n<td>95<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Christensen &amp; Co<\/td>\n<\/tr>\n<tr>\n<td>96<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Christensen &amp; Co. Arkitekter AS<\/td>\n<\/tr>\n<tr>\n<td>97<\/td>\n<td>Danimarka<\/td>\n<td>Gentofte<\/td>\n<td>Cifre ApS<\/td>\n<\/tr>\n<tr>\n<td>98<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Claus Pryds Arkitekter ApS<\/td>\n<\/tr>\n<tr>\n<td>99<\/td>\n<td>Danimarka<\/td>\n<td>Nordhavn<\/td>\n<td>Cobe<\/td>\n<\/tr>\n<tr>\n<td>100<\/td>\n<td>Danimarka<\/td>\n<td>Nordhavn<\/td>\n<td>COBE A\/S<\/td>\n<\/tr>\n<tr>\n<td>101<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Cyklus Arkitektur<\/td>\n<\/tr>\n<tr>\n<td>102<\/td>\n<td>Danimarka<\/td>\n<td>Frederiksberg<\/td>\n<td>D + H Arkitekter Ivs &#8211; Daglig Drift<\/td>\n<\/tr>\n<tr>\n<td>103<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Danielle Siggerud Architects ApS<\/td>\n<\/tr>\n<tr>\n<td>104<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Danielsen Architecture<\/td>\n<\/tr>\n<tr>\n<td>105<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Danielsen Space Planning<\/td>\n<\/tr>\n<tr>\n<td>106<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Danielsen Urban Landscape<\/td>\n<\/tr>\n<tr>\n<td>107<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Danske Arkitektvirksomheder<\/td>\n<\/tr>\n<tr>\n<td>108<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Degener Bygger\u00e5dgivning<\/td>\n<\/tr>\n<tr>\n<td>109<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>DesignGroup Architects A\/S<\/td>\n<\/tr>\n<tr>\n<td>110<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Dissing+Weitling (Denmark)<\/td>\n<\/tr>\n<tr>\n<td>111<\/td>\n<td>Danimarka<\/td>\n<td>Frederiksberg<\/td>\n<td>Djernes &amp; Bell Holding Ivs<\/td>\n<\/tr>\n<tr>\n<td>112<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Dorte Mandrup A\/S<\/td>\n<\/tr>\n<tr>\n<td>113<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Dorte Mandrup Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>114<\/td>\n<td>Danimarka<\/td>\n<td>Klampenborg<\/td>\n<td>Drachmann Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>115<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>DSA Ark Studio<\/td>\n<\/tr>\n<tr>\n<td>116<\/td>\n<td>Danimarka<\/td>\n<td>Hiller\u00f8d<\/td>\n<td>Echinus ApS<\/td>\n<\/tr>\n<tr>\n<td>117<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Effekt<\/td>\n<\/tr>\n<tr>\n<td>118<\/td>\n<td>Danimarka<\/td>\n<td>Br\u00f8nsh\u00f8j<\/td>\n<td>Einrum<\/td>\n<\/tr>\n<tr>\n<td>119<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Ejlsmark Studio ApS<\/td>\n<\/tr>\n<tr>\n<td>120<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Elgaard Architecture A\/S<\/td>\n<\/tr>\n<tr>\n<td>121<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Elki\u00e6r + Ebbeskov Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>122<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Elkj\u00e6r + Ebbeskov og Leth &amp; Gori ApS<\/td>\n<\/tr>\n<tr>\n<td>123<\/td>\n<td>Danimarka<\/td>\n<td>Fredensborg<\/td>\n<td>Elvs\u00f8-Ejendomme ApS<\/td>\n<\/tr>\n<tr>\n<td>124<\/td>\n<td>Danimarka<\/td>\n<td>Valby<\/td>\n<td>Emborg-Form<\/td>\n<\/tr>\n<tr>\n<td>125<\/td>\n<td>Danimarka<\/td>\n<td>Nordhavn<\/td>\n<td>ENTASIS<\/td>\n<\/tr>\n<tr>\n<td>126<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>ERIK BRANDT DAM arkitekter ApS<\/td>\n<\/tr>\n<tr>\n<td>127<\/td>\n<td>Danimarka<\/td>\n<td>Hellerup<\/td>\n<td>Erik J\u00f8rgensen Arkitektfirma A\/S<\/td>\n<\/tr>\n<tr>\n<td>128<\/td>\n<td>Danimarka<\/td>\n<td>Frederiksberg<\/td>\n<td>Eva Harlou ApS<\/td>\n<\/tr>\n<tr>\n<td>129<\/td>\n<td>Danimarka<\/td>\n<td>Kastrup<\/td>\n<td>FANGEL R\u00e5dgivning<\/td>\n<\/tr>\n<tr>\n<td>130<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Felding Arkitekter MAA<\/td>\n<\/tr>\n<tr>\n<td>131<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Finerum<\/td>\n<\/tr>\n<tr>\n<td>132<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Finn J\u00f8rsboe, Landskabsarkitekt MDL<\/td>\n<\/tr>\n<tr>\n<td>133<\/td>\n<td>Danimarka<\/td>\n<td>Charlottenlund<\/td>\n<td>Flemming Andersen Arkitekter A\/S<\/td>\n<\/tr>\n<tr>\n<td>134<\/td>\n<td>Danimarka<\/td>\n<td>Kongens Lyngby<\/td>\n<td>Fogh &amp; F\u00f8lner Arkitektfirma A\/S<\/td>\n<\/tr>\n<tr>\n<td>135<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Force4 Architects A\/S<\/td>\n<\/tr>\n<tr>\n<td>136<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Foreningen Arkitektfirmaet House<\/td>\n<\/tr>\n<tr>\n<td>137<\/td>\n<td>Danimarka<\/td>\n<td>Gentofte<\/td>\n<td>Freddie R\u00e5dgivende Arkitektfirma<\/td>\n<\/tr>\n<tr>\n<td>138<\/td>\n<td>Danimarka<\/td>\n<td>Kongens Lyngby<\/td>\n<td>Frost Arkitektfirma A\/S<\/td>\n<\/tr>\n<tr>\n<td>139<\/td>\n<td>Danimarka<\/td>\n<td>Gentofte<\/td>\n<td>Funktion Arkitektur ApS<\/td>\n<\/tr>\n<tr>\n<td>140<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Gaardrum.dk ApS<\/td>\n<\/tr>\n<tr>\n<td>141<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Garde<\/td>\n<\/tr>\n<tr>\n<td>142<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Gehl Architects ApS<\/td>\n<\/tr>\n<tr>\n<td>143<\/td>\n<td>Danimarka<\/td>\n<td>Nordhavn<\/td>\n<td>Gottlieb Paludan Architects A\/S<\/td>\n<\/tr>\n<tr>\n<td>144<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Gottlieb Paludan, Denmark<\/td>\n<\/tr>\n<tr>\n<td>145<\/td>\n<td>Danimarka<\/td>\n<td>Hellerup<\/td>\n<td>GYS ARK I\/S<\/td>\n<\/tr>\n<tr>\n<td>146<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>H+ ARKITEKTER A\/S<\/td>\n<\/tr>\n<tr>\n<td>147<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Hasl\u00f8v &amp; Kj\u00e6rsgaard Arkitektfirma<\/td>\n<\/tr>\n<tr>\n<td>148<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>HCM Arkitekter ApS\/par<\/td>\n<\/tr>\n<tr>\n<td>149<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>HDA Danmark ApS<\/td>\n<\/tr>\n<tr>\n<td>150<\/td>\n<td>Danimarka<\/td>\n<td>Frederiksberg<\/td>\n<td>HEJ Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>151<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Henning Larsen Architects<\/td>\n<\/tr>\n<tr>\n<td>152<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Henning Larsen Architects A\/S<\/td>\n<\/tr>\n<tr>\n<td>153<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Henrik Ingemann Nielsens Tegnestue<\/td>\n<\/tr>\n<tr>\n<td>154<\/td>\n<td>Danimarka<\/td>\n<td>Kongens Lyngby<\/td>\n<td>Henrik J\u00f8rgensen Landskab<\/td>\n<\/tr>\n<tr>\n<td>155<\/td>\n<td>Danimarka<\/td>\n<td>Valby<\/td>\n<td>Hj\u00f8rdis S\u00f8rensen Landskab mdl<\/td>\n<\/tr>\n<tr>\n<td>156<\/td>\n<td>Danimarka<\/td>\n<td>Hellerup<\/td>\n<td>HOFF &amp; S\u00d8RENSEN ARKITEKTER maa KS<\/td>\n<\/tr>\n<tr>\n<td>157<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Hollingsworth Pack ApS<\/td>\n<\/tr>\n<tr>\n<td>158<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Holm &amp; Grut A\/S<\/td>\n<\/tr>\n<tr>\n<td>159<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Holscher Nordberg Architects A\/S<\/td>\n<\/tr>\n<tr>\n<td>160<\/td>\n<td>Danimarka<\/td>\n<td>Kokkedal<\/td>\n<td>HS ARCHITECTURE &amp; CONSULTING ApS<\/td>\n<\/tr>\n<tr>\n<td>161<\/td>\n<td>Danimarka<\/td>\n<td>Herlev<\/td>\n<td>IC Arkitekter A\/S<\/td>\n<\/tr>\n<tr>\n<td>162<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>In Situ Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>163<\/td>\n<td>Danimarka<\/td>\n<td>Glostrup<\/td>\n<td>Infusion<\/td>\n<\/tr>\n<tr>\n<td>164<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Ingvartsen Arkitekter ApS<\/td>\n<\/tr>\n<tr>\n<td>165<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Jaja Architects<\/td>\n<\/tr>\n<tr>\n<td>166<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>JAJA Architects<\/td>\n<\/tr>\n<tr>\n<td>167<\/td>\n<td>Danimarka<\/td>\n<td>Esperg\u00e6rde<\/td>\n<td>Jan Arnt<\/td>\n<\/tr>\n<tr>\n<td>168<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Jane Havsh\u00f8j Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>169<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>JDS Architects<\/td>\n<\/tr>\n<tr>\n<td>170<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Jens Christian Christensen<\/td>\n<\/tr>\n<tr>\n<td>171<\/td>\n<td>Danimarka<\/td>\n<td>Virum<\/td>\n<td>Jens N\u00f8rgaard Pedersens Tegnestue<\/td>\n<\/tr>\n<tr>\n<td>172<\/td>\n<td>Danimarka<\/td>\n<td>Frederiksberg<\/td>\n<td>Jens Ulrik ApS<\/td>\n<\/tr>\n<tr>\n<td>173<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Jes Vagnby Arkitekt Maa<\/td>\n<\/tr>\n<tr>\n<td>174<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Jesper Bonde<\/td>\n<\/tr>\n<tr>\n<td>175<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Jesper Kusk Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>176<\/td>\n<td>Danimarka<\/td>\n<td>Frederiksberg<\/td>\n<td>JJW Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>177<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Jord<\/td>\n<\/tr>\n<tr>\n<td>178<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Juul &amp; Hansen Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>179<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>JUUL FROST Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>180<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Karlsson Architects<\/td>\n<\/tr>\n<tr>\n<td>181<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Keingart<\/td>\n<\/tr>\n<tr>\n<td>182<\/td>\n<td>Danimarka<\/td>\n<td>Hellerup<\/td>\n<td>Kent Pedersen Arkitektfirma<\/td>\n<\/tr>\n<tr>\n<td>183<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>KHR Architecture<\/td>\n<\/tr>\n<tr>\n<td>184<\/td>\n<td>Danimarka<\/td>\n<td>Kongens Lyngby<\/td>\n<td>Kirsten Lund-Andersen<\/td>\n<\/tr>\n<tr>\n<td>185<\/td>\n<td>Danimarka<\/td>\n<td>Aller\u00f8d<\/td>\n<td>KLAHN Arkitekt &amp; Bygger\u00e5dgivning<\/td>\n<\/tr>\n<tr>\n<td>186<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Knud Aarup Kappel, Arkitekt<\/td>\n<\/tr>\n<tr>\n<td>187<\/td>\n<td>Danimarka<\/td>\n<td>Hornb\u00e6k<\/td>\n<td>Kongsted Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>188<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Kragh &amp; Berglund<\/td>\n<\/tr>\n<tr>\n<td>189<\/td>\n<td>Danimarka<\/td>\n<td>Valby<\/td>\n<td>Krydsrum Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>190<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Ksark ApS<\/td>\n<\/tr>\n<tr>\n<td>191<\/td>\n<td>Danimarka<\/td>\n<td>H\u00f8rsholm<\/td>\n<td>KW\u00d8L Landskab<\/td>\n<\/tr>\n<tr>\n<td>192<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Laark ApS<\/td>\n<\/tr>\n<tr>\n<td>193<\/td>\n<td>Danimarka<\/td>\n<td>Hiller\u00f8d<\/td>\n<td>Landscape Vision v\/Jens Hendeliowitz<\/td>\n<\/tr>\n<tr>\n<td>194<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>LANGVAD A\/S ARKITEKTER<\/td>\n<\/tr>\n<tr>\n<td>195<\/td>\n<td>Danimarka<\/td>\n<td>Valby<\/td>\n<td>LANTZ Arkitekter ApS<\/td>\n<\/tr>\n<tr>\n<td>196<\/td>\n<td>Danimarka<\/td>\n<td>Frederiksberg<\/td>\n<td>Lars Krog Hansens Tegnestue ApS<\/td>\n<\/tr>\n<tr>\n<td>197<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>LASC studio<\/td>\n<\/tr>\n<tr>\n<td>198<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Lea N\u00f8rgaard landskab<\/td>\n<\/tr>\n<tr>\n<td>199<\/td>\n<td>Danimarka<\/td>\n<td>Gilleleje<\/td>\n<td>Leif Birger Jensen Arkitektfirma<\/td>\n<\/tr>\n<tr>\n<td>200<\/td>\n<td>Danimarka<\/td>\n<td>Nordhavn<\/td>\n<td>Lendager Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>201<\/td>\n<td>Danimarka<\/td>\n<td>Nordhavn<\/td>\n<td>Lendager Group<\/td>\n<\/tr>\n<tr>\n<td>202<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Leroy Design<\/td>\n<\/tr>\n<tr>\n<td>203<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Leth &amp; Gori<\/td>\n<\/tr>\n<tr>\n<td>204<\/td>\n<td>Danimarka<\/td>\n<td>Birker\u00f8d<\/td>\n<td>Leuchsenring Untd<\/td>\n<\/tr>\n<tr>\n<td>205<\/td>\n<td>Danimarka<\/td>\n<td>\u00c5lsg\u00e5rde<\/td>\n<td>LFA Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>206<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>LH Arkitekter v\/Leif Hansen<\/td>\n<\/tr>\n<tr>\n<td>207<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Lise Birgens Kristensen<\/td>\n<\/tr>\n<tr>\n<td>208<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>LME Development Lars G\u00f8tze Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>209<\/td>\n<td>Danimarka<\/td>\n<td>Hellerup<\/td>\n<td>LTSARKITEKTER MAA<\/td>\n<\/tr>\n<tr>\n<td>210<\/td>\n<td>Danimarka<\/td>\n<td>Charlottenlund<\/td>\n<td>LundenArkitekter ApS<\/td>\n<\/tr>\n<tr>\n<td>211<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Lundgaard &amp; Tranberg Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>212<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Lundgaard &amp; Tranberg Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>213<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Lunneryd Arkitekter Ivs<\/td>\n<\/tr>\n<tr>\n<td>214<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Lyng Rahbek Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>215<\/td>\n<td>Danimarka<\/td>\n<td>Valby<\/td>\n<td>LYTT Architecture as<\/td>\n<\/tr>\n<tr>\n<td>216<\/td>\n<td>Danimarka<\/td>\n<td>Vallensb\u00e6k Strand<\/td>\n<td>M-ART-IN<\/td>\n<\/tr>\n<tr>\n<td>217<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>M4 Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>218<\/td>\n<td>Danimarka<\/td>\n<td>Frederiksberg<\/td>\n<td>Mads Windfeldt Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>219<\/td>\n<td>Danimarka<\/td>\n<td>Frederikssund<\/td>\n<td>Mangor &amp; Nagel<\/td>\n<\/tr>\n<tr>\n<td>220<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Marianne Levinsen Landskab<\/td>\n<\/tr>\n<tr>\n<td>221<\/td>\n<td>Danimarka<\/td>\n<td>Helsing\u00f8r<\/td>\n<td>Martin Kalles\u00f8 Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>222<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>MASU Planning<\/td>\n<\/tr>\n<tr>\n<td>223<\/td>\n<td>Danimarka<\/td>\n<td>Drag\u00f8r<\/td>\n<td>Mathies Holding<\/td>\n<\/tr>\n<tr>\n<td>224<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>MATTER Bybrix<\/td>\n<\/tr>\n<tr>\n<td>225<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Mercuri Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>226<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Mette Lange Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>227<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>MIKKELSEN Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>228<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Miami Ark<\/td>\n<\/tr>\n<tr>\n<td>229<\/td>\n<td>Danimarka<\/td>\n<td>Herlev<\/td>\n<td>M\u00f8gelh\u00f8j Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>230<\/td>\n<td>Danimarka<\/td>\n<td>Helsing\u00f8r<\/td>\n<td>M\u00f8llen Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>231<\/td>\n<td>Danimarka<\/td>\n<td>Frederiksv\u00e6rk<\/td>\n<td>M\u00f8llevang Tegnestue v\/John Uhlott<\/td>\n<\/tr>\n<tr>\n<td>232<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>MONITZ<\/td>\n<\/tr>\n<tr>\n<td>233<\/td>\n<td>Danimarka<\/td>\n<td>Hornb\u00e6k<\/td>\n<td>Monomal<\/td>\n<\/tr>\n<tr>\n<td>234<\/td>\n<td>Danimarka<\/td>\n<td>Hellerup<\/td>\n<td>Moodify Cph.<\/td>\n<\/tr>\n<tr>\n<td>235<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>More<\/td>\n<\/tr>\n<tr>\n<td>236<\/td>\n<td>Danimarka<\/td>\n<td>S\u00f8borg<\/td>\n<td>Morten Gunge Arkitekt<\/td>\n<\/tr>\n<tr>\n<td>237<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>MRM Arkitektur<\/td>\n<\/tr>\n<tr>\n<td>238<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Mtre ApS<\/td>\n<\/tr>\n<tr>\n<td>239<\/td>\n<td>Danimarka<\/td>\n<td>Vedb\u00e6k<\/td>\n<td>N\u00e6ste Ark<\/td>\n<\/tr>\n<tr>\n<td>240<\/td>\n<td>Danimarka<\/td>\n<td>Klampenborg<\/td>\n<td>Naomi Aisen Sattrup<\/td>\n<\/tr>\n<tr>\n<td>241<\/td>\n<td>Danimarka<\/td>\n<td>Virum<\/td>\n<td>NB Ark R\u00e5dgivende Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>242<\/td>\n<td>Danimarka<\/td>\n<td>Hiller\u00f8d<\/td>\n<td>Nemmings Tegnestue ApS<\/td>\n<\/tr>\n<tr>\n<td>243<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Niche Arkitekter ApS<\/td>\n<\/tr>\n<tr>\n<td>244<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Niels L\u00fctzen Landskabsarkitekter<\/td>\n<\/tr>\n<tr>\n<td>245<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>No38 Architecture+Research<\/td>\n<\/tr>\n<tr>\n<td>246<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>NOAA<\/td>\n<\/tr>\n<tr>\n<td>247<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>NOBEL Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>248<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>N\u00f8hr &amp; Sigsgaard Arkitektfirma<\/td>\n<\/tr>\n<tr>\n<td>249<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>NORD Architects<\/td>\n<\/tr>\n<tr>\n<td>250<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Nordic<\/td>\n<\/tr>\n<tr>\n<td>251<\/td>\n<td>Danimarka<\/td>\n<td>Hornb\u00e6k<\/td>\n<td>N\u00f8rgaard Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>252<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Norm Architects<\/td>\n<\/tr>\n<tr>\n<td>253<\/td>\n<td>Danimarka<\/td>\n<td>Humleb\u00e6k<\/td>\n<td>Norrie<\/td>\n<\/tr>\n<tr>\n<td>254<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>NOVA5 arkitekter<\/td>\n<\/tr>\n<tr>\n<td>255<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Novaform Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>256<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>November Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>257<\/td>\n<td>Danimarka<\/td>\n<td>Hellerup<\/td>\n<td>Ole Lindahls Tegnestue<\/td>\n<\/tr>\n<tr>\n<td>258<\/td>\n<td>Danimarka<\/td>\n<td>R\u00f8dovre<\/td>\n<td>Olh<\/td>\n<\/tr>\n<tr>\n<td>259<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>ONV Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>260<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Open Platform<\/td>\n<\/tr>\n<tr>\n<td>261<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Opland Landskabsarkitekter<\/td>\n<\/tr>\n<tr>\n<td>262<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Out Of Office Ivs<\/td>\n<\/tr>\n<tr>\n<td>263<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Over Byen Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>264<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>P\u00e5lsson arkitekter<\/td>\n<\/tr>\n<tr>\n<td>265<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Panum &amp; Kappel<\/td>\n<\/tr>\n<tr>\n<td>266<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Paustian Arkitekt<\/td>\n<\/tr>\n<tr>\n<td>267<\/td>\n<td>Danimarka<\/td>\n<td>S\u00f8borg<\/td>\n<td>Pearson Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>268<\/td>\n<td>Danimarka<\/td>\n<td>Helsing\u00f8r<\/td>\n<td>Per Axelsens Tegnestue<\/td>\n<\/tr>\n<tr>\n<td>269<\/td>\n<td>Danimarka<\/td>\n<td>Esperg\u00e6rde<\/td>\n<td>Peter M. Frederiksen Arkitekt<\/td>\n<\/tr>\n<tr>\n<td>270<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Pettersson Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>271<\/td>\n<td>Danimarka<\/td>\n<td>H\u00f8rsholm<\/td>\n<td>Planter og Rum<\/td>\n<\/tr>\n<tr>\n<td>272<\/td>\n<td>Danimarka<\/td>\n<td>Birker\u00f8d<\/td>\n<td>Planv\u00e6rkstedet<\/td>\n<\/tr>\n<tr>\n<td>273<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Plh Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>274<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>PLH Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>275<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Primus Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>276<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Proces Arkitektur<\/td>\n<\/tr>\n<tr>\n<td>277<\/td>\n<td>Danimarka<\/td>\n<td>Charlottenlund<\/td>\n<td>REFORM Arkitektur<\/td>\n<\/tr>\n<tr>\n<td>278<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>RH ARKITEKTER<\/td>\n<\/tr>\n<tr>\n<td>279<\/td>\n<td>Danimarka<\/td>\n<td>Virum<\/td>\n<td>Rikke \u00d8berg Arkitekt<\/td>\n<\/tr>\n<tr>\n<td>280<\/td>\n<td>Danimarka<\/td>\n<td>Frederiksberg<\/td>\n<td>Rolvung og Br\u00f8ndsted Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>281<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Roma Chatham Architect<\/td>\n<\/tr>\n<tr>\n<td>282<\/td>\n<td>Danimarka<\/td>\n<td>\u00c5lsg\u00e5rde<\/td>\n<td>R\u00f8nne Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>283<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>R\u00f8nnow Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>284<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>R\u00f8rb\u00e6k &amp; M\u00f8ller Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>285<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>R\u00f8rb\u00e6k og M\u00f8ller Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>286<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Rubow Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>287<\/td>\n<td>Danimarka<\/td>\n<td>N\u00e6rum<\/td>\n<td>Rum+<\/td>\n<\/tr>\n<tr>\n<td>288<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>R\u00dcTER W\u00dcRTZEN arkitekter<\/td>\n<\/tr>\n<tr>\n<td>289<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Sangberg Architects<\/td>\n<\/tr>\n<tr>\n<td>290<\/td>\n<td>Danimarka<\/td>\n<td>Holte<\/td>\n<td>SCAN Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>291<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Schmidt Hammer Lassen Architects<\/td>\n<\/tr>\n<tr>\n<td>292<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Schul Landskabsarkitekter<\/td>\n<\/tr>\n<tr>\n<td>293<\/td>\n<td>Danimarka<\/td>\n<td>Frederiksberg<\/td>\n<td>Schulze+Grassov<\/td>\n<\/tr>\n<tr>\n<td>294<\/td>\n<td>Danimarka<\/td>\n<td>Frederikssund<\/td>\n<td>Seistrup + Lundgaard<\/td>\n<\/tr>\n<tr>\n<td>295<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Signal Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>296<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>SLA A\/S<\/td>\n<\/tr>\n<tr>\n<td>297<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Sne Architects<\/td>\n<\/tr>\n<tr>\n<td>298<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>SOLAR LIGHTNING CONSULTANTS<\/td>\n<\/tr>\n<tr>\n<td>299<\/td>\n<td>Danimarka<\/td>\n<td>V\u00e6rl\u00f8se<\/td>\n<td>SOPHUS S\u00d8BYE ARKITEKTER<\/td>\n<\/tr>\n<tr>\n<td>300<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>S\u00f8ren Svendsens Tegnestue<\/td>\n<\/tr>\n<tr>\n<td>301<\/td>\n<td>Danimarka<\/td>\n<td>Valby<\/td>\n<td>Spark<\/td>\n<\/tr>\n<tr>\n<td>302<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Spektrum Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>303<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>SRH Landscape Architecture<\/td>\n<\/tr>\n<tr>\n<td>304<\/td>\n<td>Danimarka<\/td>\n<td>Drag\u00f8r<\/td>\n<td>Ssearch<\/td>\n<\/tr>\n<tr>\n<td>305<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>St\u00e6rbo Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>306<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>STED By<\/td>\n<\/tr>\n<tr>\n<td>307<\/td>\n<td>Danimarka<\/td>\n<td>Gentofte<\/td>\n<td>Steenberg Architects<\/td>\n<\/tr>\n<tr>\n<td>308<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>STOCK 35<\/td>\n<\/tr>\n<tr>\n<td>309<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Stub<\/td>\n<\/tr>\n<tr>\n<td>310<\/td>\n<td>Danimarka<\/td>\n<td>Br\u00f8nsh\u00f8j<\/td>\n<td>Stub Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>311<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Studio Embla<\/td>\n<\/tr>\n<tr>\n<td>312<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Studio Heima<\/td>\n<\/tr>\n<tr>\n<td>313<\/td>\n<td>Danimarka<\/td>\n<td>Frederiksberg<\/td>\n<td>Studio Marie Persson<\/td>\n<\/tr>\n<tr>\n<td>314<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Svendborg Architects<\/td>\n<\/tr>\n<tr>\n<td>315<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Sweco Danmark<\/td>\n<\/tr>\n<tr>\n<td>316<\/td>\n<td>Danimarka<\/td>\n<td>Br\u00f8ndby<\/td>\n<td>Symbiose Arkitekterne<\/td>\n<\/tr>\n<tr>\n<td>317<\/td>\n<td>Danimarka<\/td>\n<td>Holte<\/td>\n<td>Tegnestuen Blomsten<\/td>\n<\/tr>\n<tr>\n<td>318<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Tegnestuen Krabbe<\/td>\n<\/tr>\n<tr>\n<td>319<\/td>\n<td>Danimarka<\/td>\n<td>S\u00f8borg<\/td>\n<td>Tegnestuen Svaleb\u00e6k<\/td>\n<\/tr>\n<tr>\n<td>320<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Tegnestuen Thomas Klarskov Jeppesen<\/td>\n<\/tr>\n<tr>\n<td>321<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Tegnestuen Vandkunsten<\/td>\n<\/tr>\n<tr>\n<td>322<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Thing Brandt Landskab<\/td>\n<\/tr>\n<tr>\n<td>323<\/td>\n<td>Danimarka<\/td>\n<td>Hellerup<\/td>\n<td>Thorkil Brodersen<\/td>\n<\/tr>\n<tr>\n<td>324<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Tid &amp; Sted<\/td>\n<\/tr>\n<tr>\n<td>325<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Tnt Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>326<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Tops\u00f8e-Jensens Tegnestue<\/td>\n<\/tr>\n<tr>\n<td>327<\/td>\n<td>Danimarka<\/td>\n<td>Frederiksberg<\/td>\n<td>Tranberg Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>328<\/td>\n<td>Danimarka<\/td>\n<td>Nordhavn<\/td>\n<td>TRANSPARENT DESIGN<\/td>\n<\/tr>\n<tr>\n<td>329<\/td>\n<td>Danimarka<\/td>\n<td>Birker\u00f8d<\/td>\n<td>Tred arkitekter<\/td>\n<\/tr>\n<tr>\n<td>330<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>TREDJE NATUR<\/td>\n<\/tr>\n<tr>\n<td>331<\/td>\n<td>Danimarka<\/td>\n<td>Herlev<\/td>\n<td>Triarc Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>332<\/td>\n<td>Danimarka<\/td>\n<td>Frederiksberg<\/td>\n<td>Trio Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>333<\/td>\n<td>Danimarka<\/td>\n<td>Frederiksberg<\/td>\n<td>Tulinius &amp; Lind<\/td>\n<\/tr>\n<tr>\n<td>334<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Ulrik Schwanenfl\u00fcgel Arkitektfirma<\/td>\n<\/tr>\n<tr>\n<td>335<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>URBAN POWER<\/td>\n<\/tr>\n<tr>\n<td>336<\/td>\n<td>Danimarka<\/td>\n<td>Hellerup<\/td>\n<td>Valb\u00e6k Br\u00f8rup Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>337<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Varmings Tegnestue<\/td>\n<\/tr>\n<tr>\n<td>338<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>VI ARK<\/td>\n<\/tr>\n<tr>\n<td>339<\/td>\n<td>Danimarka<\/td>\n<td>Nordhavn<\/td>\n<td>Vilhelm Lauritzen<\/td>\n<\/tr>\n<tr>\n<td>340<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Vium Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>341<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>WE Architecture<\/td>\n<\/tr>\n<tr>\n<td>342<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Wemmelund Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>343<\/td>\n<td>Danimarka<\/td>\n<td>Dysseg\u00e5rd<\/td>\n<td>Wenzel + Tuxen Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>344<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>WERK Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>345<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>White arkitekter<\/td>\n<\/tr>\n<tr>\n<td>346<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Wuttke &amp; Ringhof Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>347<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Z.o.o.m Arkitekter<\/td>\n<\/tr>\n<tr>\n<td>348<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>Zark<\/td>\n<\/tr>\n<tr>\n<td>349<\/td>\n<td>Danimarka<\/td>\n<td>Kopenhag<\/td>\n<td>ZESO Architects<\/td>\n<\/tr>\n<tr>\n<td>350<\/td>\n<td>Danimarka<\/td>\n<td>Frederiksberg<\/td>\n<td>Zoffmannholm Landskabsarkitekter<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Danish architecture has been influenced by Romanesque and Gothic architecture [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4036,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[42],"tags":[],"class_list":["post-4360","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-architecture"],"_links":{"self":[{"href":"https:\/\/baskan-yapi.com\/en\/wp-json\/wp\/v2\/posts\/4360","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/baskan-yapi.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/baskan-yapi.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/baskan-yapi.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/baskan-yapi.com\/en\/wp-json\/wp\/v2\/comments?post=4360"}],"version-history":[{"count":1,"href":"https:\/\/baskan-yapi.com\/en\/wp-json\/wp\/v2\/posts\/4360\/revisions"}],"predecessor-version":[{"id":4361,"href":"https:\/\/baskan-yapi.com\/en\/wp-json\/wp\/v2\/posts\/4360\/revisions\/4361"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/baskan-yapi.com\/en\/wp-json\/wp\/v2\/media\/4036"}],"wp:attachment":[{"href":"https:\/\/baskan-yapi.com\/en\/wp-json\/wp\/v2\/media?parent=4360"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/baskan-yapi.com\/en\/wp-json\/wp\/v2\/categories?post=4360"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/baskan-yapi.com\/en\/wp-json\/wp\/v2\/tags?post=4360"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}